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For a bad hair day “pick-me-up”, to prepare for an important meeting or looking for a great style for an important night out, we can help.

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Dream vacation: Backpack around Europe Favorite Artist: Van Gogh Favorite Music: Any Genre Favorite Color: Pink and Green Favorite Food: Mexican Food and Indian Food Quote: “Things turn out the best for those who make the best out of the way things turn out”

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Dream vacation: Australia and New Zealand Favorite Artist: Nas Favorite Music: Hip-hop.90’s Alternative Favorite Color: Purple Favorite Food: Thai food Quote: “None”

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Dream vacation: Europe tour to see the natural beauty Favorite Artist: Gerhard Richter, Hid art is all very different but his use of color, texture and lightening is creative and interesting. Favorite Music: Indie Folk Favorite Color: Light Sky Blue Favorite Food: Buffalo Wings Quote: “ To love oneself is the beginning of a life long romance” Oscar Wilde

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Dream vacation: Europe to see all of the historic landmarks and culture. Favorite Artist: Clause Monet- I love the way he paints floral scenes Favorite Music: Heavy Metal and Rock Favorite Color: Black Favorite Food: Pizza Quote: “ We do not need magic to transform our world. We carry all if the power we need inside ourselves already” – J.K Rowling

Review by Nicole Zdeb — Published on December 3, 2012 Tags: French literature , modernist fiction , seagull books , nike air max women 2017 pink VwoluYNya

Forty years have passed since L’Arrière-pays was published in French to nearly instant acclaim. It first appeared as part of a collection titled Les sentiers de la creation (The Paths of Creation, 1972) that included contributions by Claude Lévi-Strauss, Roland Barthes, Pablo Picasso and Francis Bacon. Now that Seagull Books has ushered the work into English, there can be no doubt that this was a book worth waiting for. The Arrière-pays is an immersion in the heady waters of a profound aesthetic consciousness.

In it, Yves Bonnefoy threads memory, thoughts on art and architecture, dreams, the plot of a favorite book, and two unfinished novels—all through an analytic lens that borrows from language philosophy, Freud, and modernism. He traces the branching of an idea that sparked to life in childhood: that of the l’arriere-pays , a not here that is radiant and transformative; a place of symmetries; an idealization with Platonic overlays. The phenomenon of this lived world, art and nature, reveal this deferment of perfection and trigger the yearning for Other that is so much a part of love. This book could be viewed as a moral tale of how infatuation with a concept, however alluring and seemingly benign becomes dangerous when it leads you out of love with this world.

Bonnefoy recognizes this temptation into delusion and grapples with it with spiritual grace and intellectual rigor. L’Arri è re-pays is, as Bonnefoy says in the preface, “the great phantasm”:

I have often experienced a feeling of anxiety, at crossroads. At such moments it seems to me that here, or close by, a couple of steps away on the path I didn’t take and which is already receding—that just over there a more elevated kind of country would open up, where I might have gone to live and which I’ve already lost.

This book is a study of inquietude, its signs and the system of specialized knowledge, or gnosis, that they represent. Bonnefoy states, “In L’Arrière-pays —and this is what sets it apart from my other books—I took the risk of confronting head on a particular temptation I was prey to, arguing that I had to struggle with it, saying that I had struggled with it, imagining that I had triumphed over it.”

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